What movies from my teens taught me
March 15th 2009 10:19 am
During my most formative years, my family underwent many changes. My parents divorced, my father got remarried, my brother moved in with my dad and stepmother, my mother and I moved to another state, and my mother had another child, my half-sister Adrienne. Maybe due to the chaos or the fact that my mother wasn’t the best role model, I looked to films (and music) to learn some of life’s most valuable lessons.
Fast Times at Ridgemont High (1982) This comical spoof of the 80s culture with a terrific ensemble cast taught me that, unlike Stacy, I didn’t want to lose my virginity to a stranger; I wanted to be in love. I also didn’t want to become pregnant (especially by a sleaze bag) in high school. * I was and I didn’t. 
Sixteen Candles (1984) When her entire family forgets her 16th birthday, Samantha hates her life—even more so when her school crush Jake accidentally finds out about her feelings for him. This movie made me believe that the awkward sort-of-pretty-but-not-gorgeous redhead could end up with the handsome hunk. It didn’t happen until my senior-year spring break in Daytona Beach, but I did eventually land the best looking Canadian guy—a true “pretty boy.” Being with someone who is more beautiful than you are is a strange feeling, but instead of being jealous, I became used to the constant stares of bikini-clad women looking at him. After all, he was with ME.
The Sure Thing (1985) One of my favorite John Cusack films, The Sure Thing chronicles the journey of two very different college students, a goofy guy and an uptight girl, as they try to get to their spring break destination in California. He’s going for the “Sure Thing” and she is visiting her oh-so-perfect boyfriend. Naturally, they hate each other. Besides laughing my ass off, this movie taught me that personality wins over looks every time. My best romantic relationships usually have rocky starts—from a guy dumping a drink over my head to my 195-pound dog stepping on my boyfriend’s balls (an incident that almost ended the relationship). However, these bumpy beginnings taught me that I not only need someone who will stand up to me, but I also need some verbal sparring to keep things interesting. Only a smart, funny, confident man can meet those requirements. If he happens to be attractive, too, well, that’s just a bonus!
St. Elmo’s Fire (1985) A movie about what happens to a group of friends after college graduation, St. Elmo’s Fire launched the careers of actors such as Demi Moore, Rob Lowe, and Andrew McCarthy. Although the film may seem a bit cheesy now, its theme is noteworthy: strong friendships can survive almost anything: sex, infidelity, drugs, obsession, etc. These characters remained friends through it all. We all expect to work at our romantic relationships, but friendships need the same kind of attention. I’ve learned since, however, that both parties have to want to make amends or the relationship will not survive.
Ferris Bueller’s Day Off (1986) This light-hearted comedy reminded me that maybe I shouldn’t take myself so seriously. I actually saw this movie in the theater and for some reason stayed through all of the credits. I’m glad I did because Ferris tells the viewing audience “It’s over. Go home.” I laughed so hard and eventually took my own day off during “Junior Skip Day”—my graduating class’s reaction to the traditional Senior Skip Day. When most of (some students went to school—what party poopers!) the entire junior class couldn’t fit into his office, our principal decided punishing us all with suspension would be silly because he would be giving us permission to miss yet another day of school. I felt just like Ferris; we beat the system!
The Breakfast Club (1985) Following the success of Sixteen Candles, John Hughes wrote and directed The Breakfast Club, a simple film about five high school stereotypes who discover they are not so different when they are forced to spend the day together in detention. What I like most about this film is that it teaches us that at certain times in our lives, whether it’s passing time in school detention, sitting in a jail cell, or lying sick in a hospital bed, social status ceases to matter. No matter what, we are all human beings. The characters explain it best in the final voiceover of the film:
“Dear Mr. Vernon, We accept the fact that we had to sacrifice a whole Saturday in detention for whatever it is we did wrong, but we think you’re crazy for making us write an essay telling you who we think we are. You see us as you want to see us, in the simplest terms, in the most convenient definitions. But what we found out, is that each one of us is a brain, and an athlete, and a basketcase, a princess, and a criminal. Does that answer your question? Sincerely yours, The Breakfast Club”
Thank you Steve Bloom, Cameron Crowe, Amy Heckerling, Carl Kurlander, Rob Reiner, Jonathan Roberts, Joel Schumacher, and of course John Hughes for creating wonderful films that guided me through my youth.
P.S. The music in these movies is quintessential 80s and absolutely timeless.
AWW — XoXo
