Archive for the ‘Entertainment’ Category

10 signs you might be depressed—the Lifetime edition

May 24th 2011

10. You watch Lifetime movies.

9. You like Lifetime movies.

8. You watch Lifetime movies even when you don’t like them.

7. You record Lifetime movies.

6. You watch enough Lifetime movies to know that the ones on the Lifetime Movie Network (LMN) are always better than the ones on the regular Lifetime channel.

5. You get genuinely upset when your cable provider has a dispute with LMN, which seems to happen every six months.

4. You know what Pick-a-Flick Fridays are.

3. You IMDB the actors in a Lifetime movie because they look familiar only to discover they have been in other Lifetime movies that you have already seen.

2. You watch two LMN movies in a row and don’t realize you have already seen both of the films until the end of the second one, yet you don’t care that you have wasted four hours of your time on a Friday night.

1. You lie down, watch four Lifetime films back-to-back, and after eight hours you cannot recall the plot of any of the movies. Oh—and you forget to eat. Or you eat an entire bag of chips. Or a pint of ice cream. Or both.

AWW — XoXo

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Learning to Love LA (again): Part Four—Seeing the Geffen

October 25th 2010

I apologize for taking too long to complete the Learning to Love LA (again) series that I started on April 21. I have so many blog ideas that I often get distracted, but I’m determined to finish the last two posts because I love art and because I need to love LA again. For a reminder of where I last left off, I recommend reading Part Three—Visiting the MOCA.

I didn’t know it when I planned my excursion, The Geffen Contemporary Museumbut apparently when you buy a ticket to the Los Angeles Museum of Contemporary Art (MOCA), you receive free admission to The Geffen Contemporary. A DASH ride away, the Geffen includes pieces from MOCA’s permanent collection as well as touring exhibitions. Of course, I was there to see the Collection: MOCA’s First Thirty Years. I have selected some of my favorite pieces as well as my least favorite for your reading and viewing pleasure.

Richard Hawkins Disembodied Zombie Skeet Pink 1997

I was immediately drawn to Richard HawkinsDisembodied Zombie Skeet Pink. The inkjet print transforms actor Skeet Ulrich into multiple dimensions, as the piece has a 3-D feel to it. What I like most about Skeet Pink is that it seems like an odd representation of me and my sister Adrienne. At first glance, it appears dark, edgy, mysterious, but if you look closer, you will discover the playfulness, the sensitivity, the woe. When I turned my back, I could feel Skeet’s empty eyes following me.

Barbara Kruger Untitled

Barbara Kruger’s Untitled (It’s a small world but not if you have to clean it) is pop art at its best. At 143 x 103 inches, this photographic silkscreen on vinyl covers an entire wall; it’s impossible to miss. With the magnifying glass held against her eye, the woman seems to stare directly at you and the message seems specifically for you. With “small” and “world” in a much larger font and the half-opened smile, you sense Kruger’s intended irony. Even the title—Untitled—with the real title in parentheses mocks you, but I love it when art and the artist make me laugh.

Jean-Michel Basquiat Six Crimee 1982 Note: this painting reminds me of my nightmares.

Jean-Michel Basquiat’s Six Crimee, a 72 x 144-inch acrylic and oil stick on masonite piece, scares me. When I first saw the green imagery with black scrawls that resemble people, I thought—Basquiat looked into my brain and captured my nightmares. The numbers and lines and halos made me shudder. You know how there are certain words that always have a negative connotation? Well, I think the same idea holds true in art. Six Crimee is cold, empty, grim, and frightening. I don’t like it, but I kept going back to see the dark side of my dreams.

John Baldessari Two Highrises (with Disruptions)/ Two Witnesses (Red and Green) 1990

Initially, John Baldessari’s Two Highrises (with Disruptions)/ Two Witnesses (Red and Green) appears to be an odd tribute to the terrorist attacks on 9/11—except that he created this 98 x 68-inch piece in 1990. Composed of color photographs and vinyl paint, Two Highrises/Two Witnesses forces you to think about the situation. Where are the people standing? Are they watching the event happen in front of them? Why are their faces blocked out? If red means stop and green means go, what does that say about the two highrises that explode into flames? I don’t have any of the answers, but I enjoy art that makes me question the world around me.

Thomas Hirschhorn Non-Lieux 2002

My nomination for the worst piece of “art” in MOCA’s collection (far worse than Cy Twombly) goes to Thomas Hirschhorn’s Non-Lieux (meaning non-site or non-places). Hirschhorn says, “I don’t make political art; I make art politically.” Well, I say he makes crap. Unlike the Baldessari piece, this mountain of candle wax (didn’t my friend make this “art” in college?) complete with a photographic collage and flags bearing the word democracy is a tribute to 9/11, and I’m sure it took a long time to finish. However, as I used to tell my students, you are not graded on effort, you earn your score based on your work. Despite Hirschhorn’s attempt to visually capture the various facets of the aftermath of 9/11, he gets an “F” in my book.

To see more artists and their works, I recommend viewing my MOCA Picasa Web album.

AWW — XoXo

P.S. Learning to Love LA (again): Part Five—Ending the Day is coming soon! (No seriously, it is.)

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Learning to Love LA (again): Part Three—Visiting the MOCA

August 24th 2010

I have a confession to make: I like modern art. Not all of it, but more so than most people I know. Even my sister Adrienne thought that the sculptures scattered around downtown Los Angeles were pretentious, ridiculous and a waste of public funds. I’m not fond of many of those sculptures either, but I prefer paintings anyway. To me, art is subjective. Perhaps Shakespeare said it best, “Beauty is bought by judgment of the eye, not utter’d by base sale of chapmen’s tongues.”

One of my favorite pieces of art Blue Clamp by Jim Dine is on display at the San Francisco Modern Museum of Art. I have a print hanging in my office, but it doesn’t move me as much as seeing the three-dimensional work in person. The blue clamp projects outward from the painting, and to me it suggests how delicate our hearts are, how the clamp holds this particular heart in place, how in one quick motion someone could pull out the clamp and the heart would break. A large blue clamp does not hold my heart together, but I often feel that it is bound by a thick rope tied in numerous knots, which keep me safe and to some degree—sane.

With so many artists and works to choose from, I find it difficult to only select a few for my blog; therefore, I recommend viewing my MOCA Picasa Web album to see more art from this impressive collection or visiting the exhibition Collection: MOCA’s First Thirty Years online at the Los Angeles Museum of Contemporary Art (MOCA).

Cuban artist Ana Mendieta has several works on display in MOCA’s permanent collection. Although I am not fond of some of her performance art, I stared at her series Silueta Works in Mexico, an examination of death and how the body becomes one with the earth.

James Rosenquist Vestigial Appendage 1962

I thoroughly enjoyed James Rosenquist’s Vestigial Appendage. The painting covers one entire wall at the museum, and I wish I could explain why I am so attracted to it. Rosenquist’s ability to capture sex, beauty, capitalism, and American pop culture using brilliant colors and unusual positioning is just breathtaking.

Wallace Berman Closeup of one of the Black Pieces

I am also a fan of Wallace Berman’s photography—especially his Black Piece and Silence series. Here is a close-up view of one small part of Black Piece #2 or #3 (I cannot remember).

Stepping into Doug Wheeler’s RM 669 is like walking into a peaceful fog. Doug Wheeler RM 669 1969He states, “I make things that you experience and then it’s in your mind,” and indeed he accomplishes that goal with this sensory illusion of stepping into another dimension. I have heard critics say that modern art should be “an experience.” If that is true, than Wheeler is one of the best modern artists of his time; however, you cannot hang his work in your home.

Of all of the modern art that I saw/experienced, my least favorite artist is Cy Twombly. Cy Twombly Untitled 1967
Honestly, I do not get the point of his “art.” Anything that looks like something a kindergartener could scribble on a chalkboard is a waste of space. In addition to this Untitled piece, I recently saw another Twombly work at LACMA, and it looked exactly the same.

You may not agree with my comments, but isn’t that the point of art? To discuss, argue, learn, like, love, and remind all of us that there is some beauty in this ugly world even if we define “beauty” differently.

AWW — XoXo

P.S. Learning to Love LA (again): Part Four—Seeing the Geffen is coming soon!

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Paul McCartney: Power, Magic, and Pure Ego

April 4th 2010

On Wednesday, March 31, my husband took me to see Paul McCartney’s Up and Coming Paul still has his jacket on, but not for long!Tour at the Hollywood Bowl. At 67 years old, Paul has survived the breakup of the Beatles, the death of his beloved Linda, and a bitter divorce from his second wife Heather Mills. Though he is not the most dynamic performer, Paul can certainly keep up with his younger band members. The power of Paul (and the Beatles) is that his music is timeless. One look at the audience, who ranged in ages from 5 – 75, shows how each generation finds its own connection to the songs. Although I am not a devout Beatles fan, I will admit many of their songs possess a magical quality due to their melodic nature. However, despite his divine talent, I never need to see Paul McCartney in concert again. His overbearing ego, which needed to be stroked every few songs, distracted me from the music.

Before the showInstead of milling around, most people were in their seats by 7:30pm; I’m presuming because, like us, they didn’t want to miss anything. Well, we had plenty of time, as the sold-out show began 15 minutes late. In lieu of an opening act, the concert started with a 30-minute overture that consisted of pictures, photographs, and video clips scrolling on two giant screens as Paul McCartney/Beatles’ songs played in the background. The effect was interesting, but my husband regretted not getting in line to buy us drinks. By the time Paul opened the show by singing Venus and Mars/Rock Show/Jet, the guy next to me had elbowed me in the side one time, and I was sick to my stomach from his super sweet pot. Thanks for the contact high, asshole.

After singing a few songs, Paul talked about when he and the Beatles appeared at the Hollywood Bowl “about a million years ago.” (They played their last show there in 1965.) Then Paul stopped the show and took center stage to, he said, “Take a moment to drink this in.” He stared at the audience. Subtext: I will continue the show once I receive enough applause from you peons out there. Once everyone understood his message, we all started clapping. My husband and I, who have seen many pop/rock legends in concert (e.g., Queen, Madonna), looked at each other. I whispered, “What the hell?” My husband replied, “What an egomaniac!”
Yes IAlthough I was disgusted by his arrogance, I also admired Paul because he proved to us just how powerful he was. Though I couldn’t help thinking, if he were secure in himself, he wouldn’t need to demand applause on cue. He even told stories about girls screaming so loudly during concerts that he and the guys couldn’t hear each other sing. Taking the hint, two blonde Playboy types in the front row shrieked until their dark roots showed. Paul smiled.

End of The Long and Winding RoadTo be fair, when Paul shut up and sang, the effect was wonderful. I was bouncing up and down in my seat to Drive My Car, and the graphics behind the band were fantastic. Let Me Roll It, a blue-jazzy number, had me rolling my neck, swinging my arms, and swaying my hips. The Long and Winding Road featured pictures of beautiful landscapes. Paul dedicated My Love, a song he originally wrote for Linda, to “all the lovers in the house.” However the strong emphasis on the last two words at the end of the song, “to me” made me wonder about their love affair. Was it all about him all the time?Paul begins Something by playing George

Paul may be at his best when he picks up an acoustic guitar and sings a cappella. Here Today, a song he wrote for John after he died, brought tears to my eyes. Paul’s voice sounded smooth yet emotional; few artists today have that kind of raw talent. Even though Paul’s show had the bells and whistles of a modern-day concert, he didn’t need them and that is refreshing. Paul masters whatever instrument he is playing whether it is the piano or the guitar. Paul even played George’s ukulele to perform Something—a dedication to George who wrote the song.

Sing the ChangesDuring Sing the Changes, shooting stars turned into an image of President Obama behind the band to which my husband said, “That’s too bad because it’s a good song.” Paul picked up the pace with Ob-La-Di, Ob-La-Da, which had people jumping and singing even if they only knew the “Life goes on” part. He kept up the energy with Back in the USSR; unfortunately, the sound tech cranked up the lead guitar, and it overpowered Paul’s voice. Paul shared a story about meeting the head of Russian defense years ago. The man said to him, “We learn English from your music. Hello. Goodbye.”

Paperback WriterMy husband wasn’t a fan of Paperback Writer, but I thought the graphics were cool—novel covers about naughty nurses. The concert exploded during Live and Let Die, as fireworks and pyrotechnics lit up the sky. The show “ended” too predictably with Hey Jude, but of course, there were two planned encores, which I think are ridiculous. Paul thanked the sound guy Pablo and the video crew, but he failed to introduce his band, which both my husband and I found odd. Perhaps it was an oversight, or maybe Paul stopped acknowledging other musicians after the Beatles broke up. I mean, why bother when it’s all about you.

Live And Let Die (finale)I thought it was funny (and perhaps sad) that a man who used to get women’s underwear thrown at him on stage got a teddy bear tossed to him during this show. Seeing that brown, fuzzy, stuffed animal and thinking about the soft, silky panties of the past has to make even Sir Paul, the unofficial king of England, feel old. Despite his over-the-top ego, Paul performed for an impressive two hours and forty minutes without taking one break. He closed the concert with a crowd favorite Sgt. Pepper’s Lonely Hearts Club Band.

We’re Sergeant Pepper’s Lonely Hearts Club Band
We hope you have enjoyed the show
Sergeant Pepper’s Lonely Hearts Club Band
We’re sorry but it’s time to go.

Thanks, Paul, I did enjoy the show, but every now and then when you feel so insecure—ask for help, not applause.The Long and Winding Road

AWW — XoXo

P.S. To see all of the pictures that I took during the concert, visit my Picasa Photo Gallery. To view the set lists for the two Hollywood Bowl shows, visit Paul’s website.

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Little Miss Perfect

February 10th 2010

I am embarrassed to admit that I watch the television show Little Miss Perfect, a reality series that follows child beauty queens and their stage mothers in their quest to achieve the title of—you guessed it—Little Miss Perfect (LMP). I stumbled upon this show last year, and my husband walked in the room when I was watching it. He shook his head when he saw a JonBenét Ramsey doppelganger grace the screen. I shouldn’t have told him, but I said, “Wanna hear something scary? I’ve been watching this show for four hours.” (It was a marathon of the first season). Before I could say, “I’m hooked” he left the room.

Later, I tried to understand my fascination with LMP by discussing the show with him. I don’t support “glitz” pageants because they send a message to young girls that hair extensions, false eyelashes, heavy makeup, spray-on tans, and flippers (i.e., a fake tooth mold that hides “unsightly” missing teeth) are necessary in order to be beautiful. However, I couldn’t tear my eyes away from the TV that night. I explained to my husband that despite their shBeauty Queen_1ortcomings as parents, the mothers genuinely want what is best for their daughters, and they think beauty pageants are the way to a better life. He nodded and replied, “Sure. They’re [the mothers] just getting ready for the Big One.”
“That’s it,” I replied. “The Big One—Miss America, Miss USA, or even Miss Universe. They are thinking about the future.” The conversation with my husband may have ended there, but the one in my head had just started.

Even though I never participated in them, I have always loved beauty pageants. I watched the Miss America and Miss USA pageants every year when I was a child. At that time, the show would display each woman’s score on the television screen up to the thousandth decimal place (e.g., 8.345). My mother and I would sit with a notebook, add up the numbers, and calculate the winner before she was announced to the world. I still remember Bert Parks singing “There She Is, Miss America” until he was dismissed from the show after hosting it for 24 years. Bob Barker, best known for hosting The Price is Right, also emceed the Miss USA pageant from 1967 – 1987. The highlight of these two pageants occurred in 1982—the year my parents separated. I was still living in Fort Smith, Arkansas, with my mother. I’m sure that the entire neighborhood heard our squeals of delight when Miss Arkansas, Terri Utley, won the Miss USA pageant. A few months later, we screamed when Miss Arkansas, Elizabeth Ward, won the Miss America pageant. For years, Arkansas had plaques under its state-line signs at major border crossings; they read, “Welcome to Arkansas. Home of Miss America and Miss USA 1982.” Just like a parent, every state is proud of its beauty queens.

When it comes to their children’s dreams, I believe parents fall into three categories: the Mini Mes, the Better-than Mes, and the Wish-it-were Mes. All three types are on display at the LMP pageants. The Mini Mes are your former beauty queens; they want their daughters to be just like them. The Better-than Mes never experienced the beauty pageant circuit so they want their daughters to have the opportunities they never had. The Wish-it-were Mes fall somewhere in the middle. They either tried beauty pageants and failed or never had the chance to compete. Either way, they live their dreams vicariously through their daughters.

On a recent LMP episode, combination Wish-it-were/Mini Me mom Kelly had a full-blown meltdown when her seven-year-old daughter Trinity failed to place in the top five after forgetting the steps in her dance routine. During the same competition, Better-than Me mother Marie (who had to rent a dress for the Beauty portion of the competition because she couldn’t afford to buy one) beamed as her nine-year-old daughter Taylor became the second runner-up in her first glitz pageant. A tomboy who displayed her incredible karate skills during Wow Wear (i.e., talent) by breaking boards with her bare hands, Taylor is not your typical LMP contestant. She has her own short hair, her own teeth, her natural skin tone, and she wore little makeup until the end. However, Taylor exuded charm, charisma, and confidence. Unlike Trinity, who seemed to be desperately trying to please her mother, Taylor was on that stage because she wanted to be there, and that made all the difference.

I would classify myself as a combination Better-than/Mini Me parent. While I was raising my sister Adrienne, my goal was not only to give her more than I had, but also to lay the foundation for a higher self-esteem at an earlier age. I wanted her to achieve better grades in school than I did, to excel at her art in a way that I never did, and to feel okay in her own skin at a younger age than I did. On some level, I experienced some Mini-me moments because I encouraged her intellect, talent, and creativity—things we had in common, but I never desired a carbon-copy image of myself. I wanted Adrienne to be the best person she could be, and she exceeded even my high expectations.

  • She earned a 4.0 GPA after one year of high school.
  • She had her art displayed in three Los Angeles galleries by the age of 15.
  • She didn’t love every aspect of her body, but she realized that she was attractive even if she was not a size zero.

By comparison, I never achieved a GPA above 3.75 in high school, I never danced a solo, and I still struggle with body issues.

However, I sometimes wonder if I gave the impression—like many LMP moms—that being perfect was the only acceptable outcome. As Adrienne’s drill team coach in elementary school, I pushed her and her peers to perfect every step in their routine. With only seven weeks of practice, I knew we didn’t have a chance of winning since most teams had nine months to work on their dance. However, part of me hoped that the girls could pull it off. As I watched them perform, I kept smiling despite the missed steps, the wrong timing, and the occasional frown. When they finished, I praised them for doing their best even though they had performed much better the day before when they debuted their routine for the school. Adrienne shook her head; she knew the truth—they had failed to be perfect. After a long day, we rode the bus back to school. Even though they had lost, all of the girls talked and laughed—except for Adrienne. She looked at me as tears slid down her face. I still don’t know if she was more upset about losing the competition or disappointing me. I never asked.

Even though it would never occur to me to enter my child in a beauty pageant, I can relate to the LMP mothers. Sure, some of them go too far, push too hard, especially the Wish-it-were Me moms, but I understand wanting your child to be a winner. Pageants teach children how to be disciplined and how to compete—two valuable skills that are necessary in the real world. In many ways, participating in pageants is not that different from being on an athletic team; except the last time I checked, soccer was much cheaper.

AWW — XoXo

P.S. My husband was right. In last night’s episode of LMP, a grandmother said, “This [Little Miss Perfect and other pageants] is something we’re doing until Asia gets Miss America.” Better-than Me grandma may be correct because five-year-old Asia was crowned Little Miss Perfect Nashville after an outstanding, military-inspired Wow Wear routine.

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